
Thanks to Hank Shteamer for making Guewel #1 on his Jazz Journalist Association Top 10 of 2008 List.
Heard, Read, Seen...



This isn't a photo from last night, but its pretty much how things looked at night 3 of the second run of Cecil Taylor and Tony Oxley Duo at the Village Vanguard. I sat right up near Tony's drums during the first night, and amazingly enough had a hard time hearing Cecil! Never had that happen before. Due to a modest turnout the club let first set customers stay for the second, which was great. I sat in the back of the room at the bar, and the balance was much better. Bravo to Cecil for the rhapsodic moments that populated both sets. And bravo to Oxley for never being swept under the carpet by Taylor. He more than held his own, and while the music wasn't life-changing, it was definitely life-affirming.
If ever there was a film that NEEDED to be seen on the biggest screen possible, this is it. The same over-indulgence that you'll find in Wong Kar-Wai's head-scratching narrative and saccharine score is also his greatest asset visually. I blogged about another visual stunner recently, The Fall. But I unfortunately saw that one on the small screen. It held up though I knew it would have been infinitely better on the big screen. Not sure "...Redux" would work on the small screen at all. The colors, the long, luscious lingering shots... it was like watching a 10,000 photograph slide show. I felt like a deer who found the headlights and refused to budge. FWIW, Wai keeps it to an (admirably) brisk 90 minutes. See it in a theater. Trust me.